| | |  | Identity & Access Management | Home » » No Coward Soldiers: Black Cultural Politics in Postwar America (Nathan I Huggins Lectures) | | | | | | | Description: | | In a vibrant and passionate exploration of the twentieth-century civil rights and black power eras in American history, Waldo Martin uses cultural politics as a lens through which to understand the African-American freedom struggle. In black culture, argues Martin, we see the debate over the profound tension at the core of black identity: the duality of being at once both American and African. And in the transformative postwar period, the intersection between culture and politics became increasingly central to the African-American fight for equality. In freedom songs, in the exuberance of an Aretha Franklin concert, in Faith Ringgold's exploration of race and sexuality, the personal and social became the political. Martin explores the place of black culture in this vision and examines the multiple ways in which various forms of expressive culture and African-American cultural figures influenced consciousness and helped effect social action. From the music of John Coltrane and James Brown to the visual art of Jacob Lawrence and Betye Saar to the dance movements of Alvin Ailey and Arthur Mitchell, Martin discusses how, why, and with what consequences culture became a critical battle site in the freedom struggle. And in a fascinating epilogue, he draws the thread of black cultural politics into today's hip-hop culture. This engaging book brings a new perspective to the civil rights and black power eras, while illuminating the broader history of American and global freedom struggles. | | | Product Details: | | | Author:
| Waldo E. Martin Jr. | | Hardcover:
| 176 pages | | Publisher:
| Harvard University Press | | Publication Date:
| February 28, 2005 | | Language:
| English | | ISBN:
| 067401507X | | Product Width:
| 144.5 centimeters | | Product Height:
| 208.5 centimeters | | Product Weight:
| 0.81 pounds | | Package Length:
| 8.3 inches | | Package Width:
| 5.7 inches | | Package Height:
| 0.9 inches | | Package Weight:
| 0.8 pounds | | Average Customer Rating:
| based on 1 reviews |
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History Drawn Through The Eye Of CultureApr 18, 2005
By Kevin Killian No Coward Soldiers would be worth buying and savoring if it only inclided Martin's extended discussion of the art of Elizabeth Catlett, a painter and multimedia artist whose work is comparatively little known, most pointedly in comparison to her male colleagues Romare Bearden and Jacob Lawrence. Martin astutely pins the disparity in critical reception (itself a matter of "cultural politics" at their most palpable) to the fact that Catlett is an overtly political artists whereas Bearden and Lawrence were "transcendent," to quote Professor Martin. That is, their themes and executions ran beyond the reality-based limitations of the moment and sought out the eternals. When it comes to the case of Roy De Carava, he falls somewhere in the middle, perhaps due to his status as a photographer, so that reality is always somewhere hovering about.
Martin is also good at showing how young Cassius Clay became a bellwether for his age and how he (as both Clay and Ali) brought politics openly into the ring, whereas previous heavweight champions had merely let the simmer, boxing in a ring of unspoken racial assumptions. Martin has a nice easygoing style and, I imagine, is a marvelous lecturer.
Professor Martin knows a lot about pop, jazz, blues, writing, and many kinds of cultural discourse, but in this slim book he tries to cram in too many topics. Hopefully the print edition will avoid the errors of the Advanced Reading Copy they sent me, mis-spelling Allen Ginsberg's first name AND last name, and adding an extra "n" to the name of the poet Bob Kaufman (thus three typos in one sentence).
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